NOTE: This article is a republication- Source: The Guardian (Rebecca Nicholson).
ne morning last summer, in the grounds of the West Yorkshire manor house Shibden Hall, Sally Wainwright, the writer and director behind many of the most popular and acclaimed British dramas of the past decade, was standing in a barn, wrapping up a scene among bales of hay. Word came that she was needed outside to discuss an issue regarding a horse. There was some debate as to whether the horse, Percy, should be harnessed to a carriage, which might, his handler warned, cause him to “freak out”.
It was the first month of filming on Wainwright’s new TV series, Gentleman Jack, which tells the story of the former occupant of Shibden Hall, Anne Lister, a 19th-century adventurer, landowner and industrialist, who is sometimes described as the “first modern lesbian” because of the freedom with which she pursued her love affairs with women.
Four months earlier, when I met Wainwright at her home in Oxfordshire, Gentleman Jack had just been a pile of pages in a box on the floor. Now, the show, which Wainwright had dreamed of making for two decades, was finally taking form. Shibden Hall’s grounds were dotted with makeshift neon signs and busy people with walkie talkies. Squawking chickens wove around the feet of the crew and actors, while two Irish wolfhounds lazed in the June sunshine.
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